目录 · · · · · ·
第一章 打斗镜头
1.1 长焦特效.......................................................2
1.2 一记重拳.......................................................4
1.3 紧跟演员拍摄................................................6
1.4 打倒在地.......................................................8
1.5 分别拍摄角色..............................................10
1.6 近地仰拍.....................................................12
1.7 含蓄的暴力.................................................14
1.8 胜利瞬间.....................................................16
第二章 追逐镜头
2.1 紧跟被追踪者..............................................20
2.2 长焦摇拍.....................................................22
2.3 狭窄空间中追逐..........................................24
2.4 宽阔空间中追逐..........................................26
2.5 制造惊恐.....................................................28
2.6 看不见的追踪者..........................................30
2.7 突然袭击.....................................................32
2.8 神出鬼没.....................................................34
2.9 千钧一发.....................................................36
2.10 追踪的脚步...............................................38
第三章 角色登场和退场
3.1 焦点转换.................................................... 42
3.2 从背景中突然现身.......................................44
3.3 华丽转身.....................................................46
3.4 静静现身.....................................................48
3.5 关窗............................................................50
3.6 场景无缝转换..............................................52
3.7 摇拍中渐行渐远..........................................54
3.8 转变演员行走方向.......................................56
第四章 悬疑、搜索与潜伏
4.1 轻微后退.................................................... 60
4.2 未知之惧.....................................................62
4.3 紧张期待.....................................................64
4.4 空无之惧.....................................................66
4.5 放大空间.....................................................68
4.6 两个场景同时进行.......................................70
4.7 寻找线索.....................................................72
4.8 静中生疑.....................................................74
4.9 危险逼近.....................................................76
第五章 情节变化
5.1 镜头推近.................................................... 80
5.2 戏剧性的一刻..............................................82
5.3 摇拍加移步.................................................84
5.4 背景移动.....................................................86
5.5 围绕角色拍摄..............................................88
5.6 人机同时转向..............................................90
5.7 无法逃脱.....................................................92
5.8 突出静态.....................................................94
5.9 运用移动道具..............................................96
第六章 现身和发现
6.1 利用镜面门.............................................. 100
6.2 拉开帷幕...................................................102
6.3 鹤立鸡群...................................................104
6.4 走出阴影...................................................106
6.5 慢速呈现...................................................108
6.6 平行拍摄...................................................110
6.7 前进受阻...................................................112
6.8 目光转移...................................................114
6.9 目光扫视...................................................116
第七章 惊惧镜头
7.1 营造紧张气氛........................................... 120
7.2 误导的震惊...............................................122
7.3 吓人的角色...............................................124
7.4 恐惧之地...................................................126
7.5 空旷空间...................................................128
7.6 视觉惊吓...................................................130
7.7 无路可逃...................................................132
7.8 出其不意...................................................134
7.9 窗外的脸...................................................136
第八章 引导注意力
8.1 线索物...................................................... 140
8.2 人物交替...................................................142
8.3 掉头..........................................................144
8.4 反射..........................................................146
8.5 停下脚步...................................................148
8.6 夺目色彩...................................................150
8.7 变换演员位置............................................152
第九章 车内场景
9.1 前座视角拍摄........................................... 156
9.2 后座视角拍摄............................................158
9.3 车内对话...................................................160
9.4 车静止时拍摄............................................162
9.5 下车离开...................................................164
9.6 边走边谈...................................................166
9.7 透过车窗拍摄............................................168
第十章 对话场景
10.1 推近拍摄对话......................................... 172
10.2 背景逐渐淡出..........................................174
10.3 分享镜头.................................................176
10.4 肩并肩.....................................................178
10.5 不同高度.................................................180
10.6 互瞥........................................................182
10.7 镜中对话.................................................184
10.8 边走边谈.................................................186
第十一章 争执和冲突
11.1 绕圈....................................................... 190
11.2 镜头袭来.................................................192
11.3 防卫的镜头.............................................194
11.4 扑向镜头.................................................196
11.5 冲动之举.................................................198
11.6 肢体语言对抗..........................................200
11.7 边走边吵.................................................202
11.8 十字交叉.................................................204
第十二章 爱情与激情场景
12.1 眼神交流................................................ 208
12.2 拍摄初吻.................................................210
12.3 亲吻的角度.............................................212
12.4 浪漫躺上床.............................................214
12.5 只拍面部.................................................216
12.6 仰起脸.....................................................218
12.7 缠绵之刻.................................................220
12.8 细节取胜.................................................222
结语..................................................................225

目录 · · · · · ·
目录
第一章　冲突
1.1力量对比 ...........................................2
1.2在门边 ...............................................4
1.3受到冷落 ...........................................6
1.4跨越界线 ...........................................8
1.5障碍物 .............................................10
1.6位置交换 .........................................12
1.7突然转身 .........................................14
1.8绕转切换 .........................................16
1.9深布景 .............................................18
1.10地位争夺 .........................................20
第二章　紧张气氛
2.1环拍对话 .........................................24
2.2缩近距离 .........................................26
2.3夸张的仰拍 ......................................28
2.4戏剧性转向 ......................................30
2.5秘密交谈 .........................................32
2.6同一侧 .............................................34
2.7聚焦于一人 ......................................36
2.8高度对比 .........................................38
2.9幽闭空间 .........................................40
2.10追随演员 .........................................42
第三章　相争
3.1不知所措 .........................................46
3.2在门口 .............................................48
目录
3.3位置调换 .........................................50
3.4边界处 .............................................52
3.5环境引发冲突 ..................................54
3.6追赶 ................................................56
3.7侧面像 .............................................58
第四章　多人会话
4.1转身现人 .........................................62
4.2目光示人 .........................................64
4.3三人小组 .........................................66
4.4中心人物 .........................................68
目录
XIV
4.5排成一列 .........................................70
4.6一行三人 .........................................72
4.7中心线 .............................................74
4.8静止镜头 .........................................76
4.9圆桌会话 .........................................78
4.10增加成员 .........................................80
第五章　建立联系
5.1长焦空间 .........................................84
5.2障碍物 .............................................86
5.3望向远方 .........................................88
5.4正反角度推近 ..................................90
5.5背对角色 .........................................92
5.6律动的舞步 ......................................94
5.7局外人 .............................................96
5.8梦幻感 .............................................98
5.9踱步 ..............................................100
5.10长时间演讲 ....................................102
第六章　揭示变化
6.1高度变换 .......................................106
6.2近距离接触 ....................................108
6.3强烈对比 ....................................... 110
6.4面对面 ........................................... 112
6.5脸朝上 ........................................... 114
6.6背景转换 ....................................... 116
6.7无形的障碍 .................................... 118
6.8无须眼神交流 ................................120
6.9转到背景 .......................................122
6.10角色间摇拍 ....................................124
第七章　边走边谈
7.1螺旋楼梯 .......................................128
7.2飞奔而过 .......................................130
7.3寻找镜头 .......................................132
7.4背向镜头 .......................................134
7.5固定角度拍摄 ................................136
7.6望向空无 .......................................138
7.7尾随而行 .......................................140
7.8沿路行走 .......................................142
7.9不断转向 .......................................144
7.10锁定角色 .......................................146
第八章　强烈的情感
8.1运动中的争执 ................................150
8.2瞬间惊呆 .......................................152
8.3逐渐接近 .......................................154
8.4距离的变化 ....................................156
8.5向后退出 .......................................158
8.6镜头移动中的转身 .........................160
第九章　亲密感
9.1镜头推近中的交谈 .........................164
9.2脸贴脸 ...........................................166
9.3头靠头 ...........................................168
9.4升高摄影机 ....................................170
9.5弧线推近 .......................................172
9.6轻声耳语 .......................................174
9.7小角度剪接 ....................................176
9.8镜头之外 .......................................178
9.9亲密无间 .......................................180
9.10一组角度 .......................................182
9.11关联物 ...........................................184
第十章　远距离交谈
10.1单个镜头 .......................................188
10.2后方的观察者 ................................190
10.3行为对比 .......................................192
10.4地点信息 .......................................194
10.5特殊的空间 ....................................196
第十一章　创意场景
11.1转身 ..............................................200
11.2动静突变 .......................................202
11.3后退 ..............................................204
11.4特殊角度 .......................................206
11.5在不同房间 ....................................208
11.6远景移位 .......................................210
11.7调转镜头 .......................................212
11.8穿过整个场景 ................................214
11.9角色的现身 ....................................216
11.10插到中间拍摄 ................................218
11.11消除隔阂 .......................................220

目录 · · · · · ·
第一章　镜头高级运用
1.1长焦镜头远拍 ....................................2
1.2长焦镜头近拍 ...................................4
1.3固定长焦镜头 ....................................6
1.4运动长焦镜头 ....................................8
1.5广角镜头远拍 ..................................10
1.6 广角镜头近拍 ..................................12
1.7固定广角镜头 ..................................14
1.8运动广角镜头 ..................................16
1.9中焦镜头 .........................................18
1.10镜头的切换 ......................................20
第二章　基本运动
2.1融合运动 .........................................24
2.2运动的摄影机 ..................................26
2.3演员驱动摄影机 ..............................28
2.4揭示式的运动 ..................................30
2.5与摄影机一同运动 ...........................32
2.6向前运动 .........................................34
2.7侧向运动 .........................................36
2.8斜式运动 .........................................38
2.9短距离运动 ......................................40
2.10转向运动与曲线运动 .......................42
第三章　纵深调度
3.1演员的移动 ......................................46
3.2横过画面 .........................................48
3.3移动用作取景 ..................................50
3.4视点移动 .........................................52
3.5移动用作揭示 ..................................54
3.6镜面反射 .........................................56
3.7反向推进 .........................................58
3.8推轨引入演员 ..................................60
第四章　高级取景
4.1越轴 ................................................64
4.2打破剪辑 .........................................66
4.3摇摄运动 .........................................68
4.4穿过人群 .........................................70
4.5重复角度推近 ..................................72
4.6俯仰用作揭示 ..................................74
4.7旋转出画 .........................................76
4.8剪影 ................................................78
第五章　象征性场景调度
5.1双重推进 .........................................82
5.2吸引演员 .........................................84
5.3亲密关系中断 ..................................86
5.4俯瞰后拉 .........................................88
5.5权力交换 .........................................90
5.6犹豫不决 .........................................92
5.7孤立推进 .........................................94
5.8打破多人场景 ..................................96
第六章　美术设计与外景
6.1反定场镜头 ....................................100
6.2朦胧画面 .......................................102
6.3充实前景 .......................................104
6.4假墙 ..............................................106
6.5穿过画面 .......................................108
6.6窗框聚焦 ....................................... 110
6.7亲自揭示 ....................................... 112
6.8镜面反射定场 ................................ 114
6.9镜面反射逆向运用 ......................... 116
第七章　动态动作
7.1动作转换 .......................................120
7.2误导运动 .......................................122
7.3回到主体 .......................................124
7.4暂停推进 .......................................126
7.5推进对抗流 ....................................128
7.6环绕运动 .......................................130
7.7传达速度 .......................................132
7.8转身剪辑 .......................................134
第八章　拍摄表演
8.1展开场景 .......................................138
8.2肢体表演 .......................................140
8.3核心特写 .......................................142
8.4大特写 ...........................................144
8.5正反角度的对话 ............................146
8.6融入场景 .......................................148
8.7主宰场景 .......................................150
8.8并行空间 .......................................152
8.9分开演员 .......................................154
第九章　摄影机高度
9.1头部高度 .......................................158
9.2入侵角度 .......................................160
9.3正反角度的高度 ............................162
9.4落至摄影机高度 ............................164
9.5下降镜头 .......................................166
9.6俯拍 ..............................................168
9.7固定仰拍 .......................................170
9.8不可见的面部 ................................172
9.9仰视推轨 .......................................174
9.10就座的力量 ....................................176
第十章　复杂摄影机运动
10.1复杂旋转 .......................................180
10.2移动的演员 ....................................182
10.3从主镜头切出 ................................184
10.4对角线揭示 ....................................186
10.5跟拍长镜头 ....................................188
10.6推轨取景 .......................................190
10.7推至特写 .......................................192
10.8全景到特写 ....................................194
10.9对向滑动 .......................................196
10.10多人运动 .......................................198
第十一章　高级导演技巧
11.1 纵深的演员调度 ............................202
11.2激发摄影机 ....................................204
11.3发展中的运动 ................................206
11.4空间利用 .......................................208
11.5迷失的布局 ....................................210
11.6演员视野 .......................................212
11.7故事点 ...........................................214
11.8场景调度 .......................................216
11.9视觉化场景 ....................................218
11.10即兴发挥 .......................................220